lördag 23 april 2016

JOHAN FALK SERIES PART 14: THE CHILD INFILTRATOR


Previously on Johan Falk:

A much larger organization shows its face. No, it is not SPECTRE. Johan Falks family gets involved leading to Falk taking matters in his own hands, defending his family.

Seth Rydell and his handler Sophie is on a collision course as he pulled a fast one on her, making her responsible for getting a criminal killed.

Plot:
It starts off in medias res, or at the end of the story. Johan Falk gets shot in the neck by Simon. Then back to the beginning of the story. (Way to  spoil a movie.  What if M Night Shyamalan did that with his movies...?)

Someone is selling pre-prepped robberings. Someone from Seths past. A gang of youths pulls off a heist but fails to get rid of the ink in the moneybags. Now they need someone to wash the papers free from any of that particular Color of Incrimination. And one of those people is a fifteen year old kid named Simon

This story is about how juvenile delinquents are being used on both sides as robbers or as infiltrators or undercover informants. It is as questionable as it can get. And it creates a rift between the members of GSI.

A lot of the small time criminals in this one comes from white trash families without any real future. Especially a boy who has to suffer the acts of his parents,

Jibber jabber:

GSI involves one of their new guys into the way a handler manages an informer . Like an observer. Watch and learn. His name is Vidar (Mårten Svedberg) and has been like the moral voice of the series, questioning the tactics of GSI. I don´t know, for the most part he has been a whiny bitch. Instead of contributing with constructive feedback he has only been grumpy about the culture. And to be honest a bit of a nay-sayer. His partner Niklas ( Alexander Karim) actually tells him if he does not like it here he can leave. Which is a good response. Vidar whines a bit.

I mean, I don´t blame Vidar really. It is perfectly natural to look at GSI and what they are doing and have been doing as non-constitutional and highly questionable. I think in this movie, Vidar draws a line that I think most of us agree with. It is not ok using kids like Simon. Someone who has had shitty parents should not suffer the consequences . Johan is also kind of on board with this. He does not care for using minors. Although technically as Simon is fifteen he is legally responsible, the real world does not deal in numbers. It is muddy to say the least

If you are not uneasy about this, you should think twice what this can do in the long run. As soon as something becomes acceptable there is no way turning back,

Simons parents pulled an insurance fraud scheme leaving him taking the shit storm.an original sin if you will, hence he has to do all this stuff as he is more or less ostracized from society as he is up to his neck with debts.

This is a nice  different take on the depiction of criminality. The type of white trash parents a kid cannot be blamed for having, neither can he be blamed for their short comings as he is getting the short end of the stick from society.

Some backstory to Seths past is revealed as he confronts the person behind selling the robbery plans. A finnish jerkoff named Heiki. Old conflicts lead to tragedy as Heiki kills Seths younger brother in the climax. We also get more of Sophies and Seth relationship deepening. She has been duped by him in previous film, but now she needs to set things straight and actually starts to manage the situation

At the end of the film, when the obligatory shootout happens Simon flees from the scene, Johan follows him. Simon shoots Falk because he is scared. And who wouldn´t be in his situation?

When Falk gets shot he also ends up lying on his back shooting the bad guy .This reminds me of the end toThe Thrid Wave. But that time he was shot in the head with rubber bullets (oww...) and now in the neck with a real bullet (argh...), but like real movie cops he takes it like a man, gets some bandages and walk it off. Well, sort of.

Here is a comparison




The shooting takes place in a dark basement rather than a open street of turmoil in Germany. He is not saving Europe or his family, but rather perhaps more importantly, a child put into a life situation he has had no choice of. By saving this kid, he sorts of redeems himself with all the shit he put Frank Wagner through. It is less selfish and more about sacrifice for greater things.

I like to see recurring stuff in a series and compare them. Falk at the end of Third Wave protected his family  by shooting the bad guy as he promised in the first act of that movie in a monologue.. Here, with all the murky, shady GSI bullshit going on  he seem to come through a bit here. Some light in the shadows of this underworld is trickling through. Kind of nice. 

Patrik Agrell , his boss, asks Johan Falk why he never pulled the trigger at Simon as he clearly threatened a police officer. Falk responds with  just because the police fuck up, shouldn´t mean someone else should lose their life.  In The Third Wave he protected his own self interests, now he protects the integrity of the police force. Funny how things work out. Maybe it is a maturity thing , I don´t know.

I am just guessing here. But I feel we have met a different Falk now in some ways. He is more protective of his surroundings and has saved his family more than once, He saved Nina in the previous film as well he got married. Now he has responsibilities and perhaps now he can see beyond his tunnel vision that he had in the past. I like that. I am not sure the old Johan of Zero Tolerance or Executive Protection would be so aware of other people or their predicaments. It seems like his tunnel vision has extended a bit, looking past the blinders  into the deep blue eyes of life.

Jesus that last part was such horse hit. Do not read that!!

Great crime dramas always explore the thin line between cops and bad guys. Here we clearly see people being taken advantage of on both sides. 

My big compaint is there should have been more shootings. There, I said it. 

Next Time on Johan Falk: Shit gets real in one of the finest installments in the series.

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