onsdag 29 maj 2013


I never thought I was going to say this, but I have fast become a furious believer of this actionpacked franchise. The themes of badassness marks this installment for the very first time in a big way. They jhave always been there, but the code of honor or the strong sense of family outside the society is more prevalent here.

In fact what I like is the idea that a family can exist outside the norm of the society. it doesn´t necessarily means two kids,a wife and a goddamn mortgage that are the kind of spoonfed thoughtpatterns of family system that  society relies on.Sure they are a gangster family with the usual movie-motifs of brotherhood and honor, but you don´t see much of that in movies anymore. I´d say that as far ass badassery goes, it blows THE EXPENDABLE-franchise out of the water in many ways.

Its a much better and genuine film  because it does not rely on nostalgia and also much more sincere in its testosterone-induced manliness. THE EXPENDABLES is kind of the equivalent of a coverband playing other peoples classic songs, because thats what the audience wants.They want the nostalgia, they want to hear the one-liners or the guitarriffs or whatever that they grew up with. They don´t want to hear the coverbands own tunes or what they can bring to the music. They are stuck in nostalgia and will eventually fade away, because eventually there is noone left who wants  to hear them.

FAST FIVE has of course a history, but it is a franchise not afraid to alienate fans of the original by going its own way. It´s a movie that decided to focus more on the heist aspects of the franchise , the stoic aspects of the characters and removing the nauseating streetracing from the previous installmenst which ,quite frankly, stunk. Now they have actually made a movie that has a lot of the elements I like to see in a big summer blockbuster and with a climax that surpasses anything seen earlier in the movie. The kind of action progression throughout the piece that most movies lack these days.With each action sequence the better and more spectacular they become.  A GOOD DAY TO DIE HARD had the most spectacular scene at the beginning of the movie and the rest of the movie could not live up to it, doing the movie a terrible disservice in that way.

To sum it up. The future of action has to do with the execution, not being to dug in to the past. Nostalgia is a fleeting thing. But a good film lives forever.

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